Film and Television Genres of the Late Soviet Era.  Co-authored with Alexander Prokhorov.  NY/London: Bloomsbury Academic, 2017.

“Un/Taming the Unruly Woman: from Melodramatic Containment to Carnivalistic Utopia” (co-authored with Alexander Prokhorov). Transgressive Women in Modern Russian and East European Cultures: From the Bad to the Blasphemous.  Eds. Yana Hashamova, Beth Holmgren and Mark Lipovetsky.  NY: Routledge, 2016.  30-49.

 “The Man Who Made Them Laugh: Leonid Gaidai, the King of Soviet Comedy.”  Companion to Russian Cinema.  Ed. Birgit Beumers. Oxford/Malden, MA: Wiley-Blackwell, 2016. 519-542.

“Sergei Mikhalkov.”  Russkaia literatura XX veka: 30e—seredina 1950kh godov.  Eds. N. L. Leiderman, M. N. Lipovetsky and M. A. Litovskaia.  Volume 1.  Moscow: Akademiia, 2014.  394-406.

“Glamorously (post) Soviet: Reading Yo soy Betty, la fea in Russia.” TV's Betty Goes Global: From Telenovela to International Brand. Eds. Janet McCabe and Kim Akass. London and NY: I.B.Tauris, 2013. 206-221.

“Gender(ed) Games: Romance, Slapstick, and Ideology in the Polish Television Series Four Tank Men and a Dog.” Embracing Arms: Cultural Representation of Slavic and Balkan Women in War. Eds. Helena Goscilo and Yana Hashamova. Budapest: Central European UP, 2012. 

‘”From the Red Screen to the Multiplex” (co-authored with Alexander Prokhorov). In “ Senses of Cinema-Going: Brief Reports on Going to the Movies Around the World.” Eds. Arthur Knight, Clara Pafort-Overduin, and Deb Verhoeven. Senses of Cinema Issue 58.

“Belorussia Station.” Noev kovcheg russkogo kino: ot “Sten’ki Razina” do “Stiliag.” (The Noah’s Arc of Russian Cinema). Eds. Ekaterina Vassilieva and Nikita Braguinski. Moscow: Globus-Press, 2011. 281-286.

“Flushing Out the Soviet: Common Places, Global Genres and Modernization in Russian Television Serial Productions.” Russian Journal of Communication Vol. 3 Nos. 3/4 (Summer/Fall 2010): 185-204.